Leaps of time is a digital series shaped by rhythm, movement, and the experience of time. Each figure advances through a colored space functioning like a visual code, almost like a score where every hue marks a beat. Through this structure, color becomes language, and walking becomes a measure of passing time.

This direction resonates with current discussions on visual rhythm. For instance, the “Tate Museum” details how repetition and variation create a sense of movement within an artwork:
https://www.tate.org.uk/art/student-resource/exam-help/rhythm

Additionally, an article published by “Artsper” explains how repetition can structure the reading of an image and generate a continuous visual flow:
https://blog.artsper.com/en/a-closer-look/art-movements-en/the-key-function-of-repetition-in-art/

These perspectives echo my own process, as they show how color, sequence, and movement can shape our perception of time.

To explore related themes within my work, you can visit Céleste – African Angel, which focuses on stillness and visual breathing, or Chrysalides Urbaines, a series that plays with fragmentation and metamorphosis.

In this way, Leaps of time extends my ongoing exploration: a digital practice in which bodies act as markers, colors act as codes, and each step becomes one more moment added to the continuous flow of time.